Process is central to my work.
I rarely begin with a fixed image in mind. Instead, I follow a sensation, a thought, or an inner movement as it takes form through drawing, painting or collage. The work unfolds step by step, guided by attention rather than intention.
I am interested in what emerges when control is loosened.
When intuition leads, images develop through layering, responding, pausing and continuing. The final work is not planned in advance, but revealed through the process itself.
Outdoor Studio
Working outdoors introduces another dimension.
Here, nature becomes a co-creator. Weather, ground, time and exposure actively shape the work.
Colors shift, surfaces change, materials age and transform without intervention. These traces are not added — they happen.
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PROCESS
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Art Journals & Paper Works
In my paper works, small canvases and art journals, the process is more inward, yet equally physical.
Through tearing, layering and reworking paper, surfaces develop scars and ruptures — visible records of movement, tension and change. These marks remain as part of the work, holding memory rather than resolution.
For me, process is a way of staying open —
to what wants to appear, to material resistance, and to forms that cannot be forced.
