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My outdoor studio is an open, temporary space.
Working outside allows nature to actively participate in the process. Weather, time and exposure shape the work alongside my own gestures.
When works remain outdoors over longer periods, surfaces change without intervention.
Colors fade or deepen, textures shift, materials age. These transformations are not controlled — they are accepted as part of the work, making nature a co-creator rather than a backdrop.
​Being outdoors changes how I work and how I listen.
In direct contact with landscape and weather, decisions become simpler and more physical.
Following intuition.
Working outside means entering a dialogue.
When works stay outdoors, they begin to change on their own.
Paper softens, colors fade or deepen, textures open up.
These changes are not corrected or controlled.
They mark time as a visible collaborator.
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